郭扬运用摄影和影像，通过陈列同一事物的一对胶片照片以渐变方式连接，和影像探索了静态与动态，时间与叙事的关系。电影的制作是从摄影技术延伸而来的，通过一秒内连续的二十四张照片而产生一种动态图像的幻觉。然而现在当我们观看动态图像时，我们通常并不能区分“现实”和“构建出来的现实”。通过这样一种缓慢的观看方式，以及把在左的成对黑白照片和在右的彩色影像做成分屏产生的动静对比，使我们逐渐意识到当我们观看动态影像时，我们常常忽视它其实是由静态组成的虚幻的动态。

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Yang Guo works on photography and video, exploring relation between stillness and movement, time and narrative by using paired analog photographs connected by the effect of fading and videos of the same subject matter. Film making was developed out of photography by connecting 24 frames a second to make this illusion of moving-image. However, when we are looking at moving-image nowadays, we usually cannot differentiate between what is ‘reality’ and what is ‘constructed reality’. By watching the work slowly and making two split screens with the b&w photographs on the left and coloured video on the right, a comparison of the moving and still is created which indicates that we tend to neglect the fact that when we are looking at moving-image, it’s not reality but an illusion of movement consists of stillness.

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website: yangguoart.com  artworks