装置作品《一堆垃圾》由日常生活垃圾与其一比一的雕塑组成，作品旨虚无主义和存在主义相对的定义，以及世界万物是否存在即合理。作品与存在产生共鸣，期望和观众一起引发疑问，是否作者雕塑这一堆被遗弃的垃圾可赋于其意义？垃圾本身是否拥有存在的意义？亦或这个艺术作品的本身是否有意义的存在？

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The installation A Pile of Rubbish consists of daily garbage and its 1:1 sculpture. The work's definition of fundamentalist nihilism versus existentialism and whether the existence of everything in the world is reasonable. The work resonates with existence, and it is expected, together with the audience, to raise the question of whether the author's sculpture of this pile of abandoned rubbish can be given its meaning. Does garbage have a meaning of its own? Or does the work itself have a meaningful existence?