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The installation A Pile of Rubbish consists of daily garbage and its 1:1 sculpture. The work's definition of fundamentalist nihilism versus existentialism and whether the existence of everything in the world is reasonable. The work resonates with existence, and it is expected, together with the audience, to raise the question of whether the author's sculpture of this pile of abandoned rubbish can be given its meaning. Does garbage have a meaning of its own? Or does the work itself have a meaningful existence?

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